Jack Ryan: Shadow recruit (12A) Pavilion, Galashiels

Upper Left to right: Chris Pine is Jack Ryan and Kevin Costner is Thomas Harper in JACK RYAN: SHADOW RECRUIT, from Paramount Pictures and Skydance Productions.'JR-05083
Upper Left to right: Chris Pine is Jack Ryan and Kevin Costner is Thomas Harper in JACK RYAN: SHADOW RECRUIT, from Paramount Pictures and Skydance Productions.'JR-05083
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THE FASHIONfor prequels goes on. Tom Clancy wrote 11 Jack Ryan thrillers, but not this one.

Alec Baldwin, Harrison Ford and Ben Affleck played Jack on screen (Clancy’s fave was Affleck) and now Chris Pine, last seen as the young Capt Kirk in the Star Trek prequels, joins them.

Chris Pine plays young Jack Ryan, cruising the downtown streets of Manhattan for JACK RYAN, from Paramount Pictures and Skydance Productions. The Prequel will be out Christmas Day 2013.

Chris Pine plays young Jack Ryan, cruising the downtown streets of Manhattan for JACK RYAN, from Paramount Pictures and Skydance Productions. The Prequel will be out Christmas Day 2013.

First off, credit where credit is due. Pine does an excellent job, as the marine, wounded in Afghanistan, who is hand picked for the CIA by a cool-under-fire man of mystery, called Harper (Kevin Costner).

Keira Knightley plays his doctor and later his love interest. She has that rare ability of appearing completely natural. The chemistry between her Cathy and Pine’s Jack fizzes.

The problems lie elsewhere. The script is clunky (Jack: “I’m in the CIA.” Cathy: “Thank God! I thought you were having an affair”) and the plot cannot be taken seriously.

What gave the Bourne films an edge was credibility, not that you believed they could have happened exactly the way they did, but –here’s the important bit – they might.

Shadow Recruit is about a Russian plan to blow up half of Manhattan and crash the New York stock exchange. It makes absolutely no sense and what’s worse, by using sophisticated computer gadgetry, you haven’t a clue what is going on.

Kenneth Branagh directs rather well and plays the Moscow villain rather badly.

The effects and the car chases offer a pale imitation of other films when it is the characters and their predicament that should be ratcheting up the tension.

Amongst the Internet’s field of magic (“They will register”) hypersmart surveillance equipment can lose a thriller’s objective by intimating a storyline to an audience who may not be techno literate.

Would access to an iPad have saved Harry Lime?